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Giovanni Antonio Boltraffio
was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.

 

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Giovanni Antonio Boltraffio St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors oil painting

Painting ID::  84672

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Giovanni Antonio Boltraffio
St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors
Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr
   
   
     

 

 

Giovanni Antonio Boltraffio Virgin and Child oil painting

Painting ID::  86947

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Giovanni Antonio Boltraffio
Virgin and Child
between 1493(1493) and 1499(1499) Medium Oil on wood cyf
   
   
     

 

 

Giovanni Antonio Boltraffio Virgin and Child with Sts John the Baptist and Sebastian oil painting

Painting ID::  87004

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Giovanni Antonio Boltraffio
Virgin and Child with Sts John the Baptist and Sebastian
1500(1500) Medium Oil on poplar cyf
   
   
     

 

 

Giovanni Antonio Boltraffio Maria mit dem Kind oil painting

Painting ID::  88141

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Giovanni Antonio Boltraffio
Maria mit dem Kind
c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr
   
   
     

 

 

Giovanni Antonio Boltraffio Baptist and two donors oil painting

Painting ID::  88570

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Giovanni Antonio Boltraffio
Baptist and two donors
Oil on wood, 1500 cyf
   
   
     

 

 

Giovanni Antonio Boltraffio St Sebastian oil painting

Painting ID::  89775

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Giovanni Antonio Boltraffio
St Sebastian
second half of 15th century Medium Oil on wood transferred to canvas cyf
   
   
     

 

 

Giovanni Antonio Boltraffio The Resurrection of Christ with SS. Leonard of Noblac and Lucia oil painting

Painting ID::  94064

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Giovanni Antonio Boltraffio
The Resurrection of Christ with SS. Leonard of Noblac and Lucia
circa 1491(1491) Medium oil on poplar wood Dimensions Height: 234.5 cm (92.3 in). Width: 185.5 cm (73 in). cjr
   
   
     

 

 

Giovanni Antonio Boltraffio St Sebastian oil painting

Painting ID::  97783

X 
 

Giovanni Antonio Boltraffio
St Sebastian
second half of 15th century Medium Oil on wood transferred to canvas cyf
   
   
     

 

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Giovanni Antonio Boltraffio
was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.